Title: American sensations: class, empire, and the production of popular culture 
Author: Streeby, Shelley 1963-
Published: University of California Press,  2002
Subjects: American Studies | American Literature | Californian and Western History | Popular  Culture
Publisher's Description: This innovative cultural history investigates an intriguing, thrilling, and often lurid assortment of sensational literature that was extremely popular in the United States in 1848--including dime novels, cheap story paper literature, and journalism for working-class Americans. Shelley Streeby uncovers themes and images in this "literature of sensation" that reveal the profound influence that the U.S.-Mexican War and other nineteenth-century imperial ventures throughout the Americas had on U.S. politics and culture. Streeby's analysis of this fascinating body of popular literature and mass culture broadens into a sweeping demonstration of the importance of the concept of empire for understanding U.S. history and literature. This accessible, interdisciplinary book brilliantly analyzes the sensational literature of George Lippard, A.J.H Duganne, Ned Buntline, Metta Victor, Mary Denison, John Rollin Ridge, Louisa May Alcott, and many other writers. Streeby also discusses antiwar articles in the labor and land reform press; ideas about Mexico, Cuba, and Nicaragua in popular culture; and much more. Although the Civil War has traditionally been a major period marker in U.S. history and literature, Streeby proposes a major paradigm shift by using mass culture to show that the U.S.-Mexican War and other conflicts with Mexicans and Native Americans in the borderlands were fundamental in forming the complex nexus of race, gender, and class in the United States.   [brief]
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Title: Before the nickelodeon: Edwin S. Porter and the Edison Manufacturing Company 
Author: Musser, Charles
Published: University of California Press,  1991
Subjects: Cinema and Performance Arts | Film | United States History | Popular  Culture
Publisher's Description: Musser takes us into the long-forgotten world of early cinema - unexpectedly sophisticated and yet radically different from current movie-making. Focusing on Edwin S. Porter, most often remembered as the producer of The Great Train Robbery , Musser situates Porter's achievements within the vibrant c . . . [more]
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Title: Best friends and marriage: exchange among women 
Author: Oliker, Stacey J
Published: University of California Press,  1989
Subjects: Gender Studies | Popular  Culture | Women's Studies
Publisher's Description: In this fascinating book, Stacey Oliker delves into the intimate realm of women's friendships and explores the complex relation between friendship and family life. Based on a series of interviews with women from the middle and working classes, this work reveals the distinctive values of best friendship and marriage, how husbands and their wives' friends feel about each other, and how women friends talk about marriage problems. Best Friends and Marriage suggests that close friendships provide women with unique sources of intimacy, affection, identity, and community. Contradicting a widespread view of families as isolated and self-contained private worlds, Oliker suggests that "companionate marriage" did not replace the friendship and intimacy that pervaded communities of past times, but rather, that intimate friendship and companionate marriage evolved intertwined. Examining the cultures and dynamics of friendship, Oliker shows how women's position in society constrains the choices they make at home and in friendship, and shapes how best friends perceive each other's best interests. Best Friends and Marriage breaks ground in linking together the institutions of family and friendship, and in explaining intimacy in sociological and historical as well as psychological terms. In this way, a richly descriptive book also extends theory in the areas of family, community, and gender inequality.   [brief]
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Title: The country of memory: remaking the past in late socialist Vietnam 
Author: Tai, Hue-Tam Ho 1948-
Published: University of California Press,  2001
Subjects: History | Southeast Asia | Film | Gender Studies | Postcolonial Studies | Popular  Culture | Asian History
Publisher's Description: The American experience in the Vietnam War has been the subject of a vast body of scholarly work, yet surprisingly little has been written about how the war is remembered by Vietnamese themselves. The Country of Memory fills this gap in the literature by addressing the subject of history, memory, and commemoration of the Vietnam War in modern day Vietnam. This pathbreaking volume details the nuances, sources, and contradictions in both official and private memory of the War, providing a provocative assessment of social and cultural change in Vietnam since the 1980s. Inspired by the experiences of Vietnamese veterans, artists, authorities, and ordinary peasants, these essays examine a society undergoing a rapid and traumatic shift in politics and economic structure. Each chapter considers specific aspects of Vietnamese culture and society, such as art history, commemorative rituals and literature, gender, and tourism. The contributors call attention to not only the social milieu in which the work of memory takes place, but also the historical context in which different representations of the past are constructed. Drawing from a variety of sources, such as prison memoirs, commemorative shrines, funerary rituals, tourist sites and brochures, advertisements, and films, the authors piece together the disparate representations of the past in Vietnam. With these rare perspectives, The Country of Memory makes an important contribution to debates within postcolonial studies, as well as to the literature on memory, Vietnam, and the Vietnam War.   [brief]
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Title: Cultivating music in America: women patrons and activists since 1860 
Author: Locke, Ralph P
Published: University of California Press,  1997
Subjects: Music | Women's Studies | Popular  Culture
Publisher's Description: This wide-ranging collection brings together leading authorities on the social history of American art music to reveal the indispensable contribution that women have made to American musical life. Some chapters discuss collective endeavors, such as music clubs, Wagnerites, supporters of "modern music" in the 1920s, and activists in African American communities, while others focus on the work of a single, strikingly individual patron such as Isabella Stewart Gardner or Elizabeth Sprague Coolidge. Primary sources such as private letters and autobiographies are utilized, and documentary vignettes scattered throughout the book bring to life important events and reminiscences. Among these are an interview with Betty Freeman, noted patron of avant-garde music, and advice from Mildred Bliss to Nadia Boulanger. Extensive opening and closing chapters provide conceptual and factual background on music in America and draw out the larger implications of women's patronage in the past, present, and future.   [brief]
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Title: The Enlightenment against the Baroque: economics and aesthetics in the eighteenth century 
Author: Saisselin, Rémy G. (Rémy Gilbert) 1925-
Published: University of California Press,  1992
Subjects: History | Economics and Business | Popular  Culture | Art | Renaissance History
Publisher's Description: How do seemingly disparate arenas of Enlightenment philosophy, economic theories, boudoir etiquette, literary styles, and artistic modes coincide in the late eighteenth century? In this poetic essay on the evolution of the idea of luxury and art, Rémy Saisselin uses precise, witty examples to describe the development of our modern taste, ultimately the successor of the more spiritual and grand baroque goût . His analysis both illuminates and distinguishes between eighteenth-century and modern varieties of conspicuous consumption.This persuasive discourse depicts the rise of luxe as an escape from ennui and shows how, for the first time in European history, a large class of wealthy, leisured people emerged to make art, luxury, and the avoidance of boredom its preoccupation. Saisselin provides an original and lucid picture of the first phases in the emergence of a specifically bourgeois taste.   [brief]
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Title: Insider/outsider: American Jews and multiculturalism 
Author: Biale, David 1949-
Published: University of California Press,  1998
Subjects: Jewish Studies | American Studies | Popular  Culture | Judaism | Gender Studies | United States History | Literature
Publisher's Description: Twelve distinguished historians, political theorists, and literary critics present new perspectives on multiculturalism in this important collection. Central to the essays (all but one is appearing in print for the first time) is the question of how the Jewish experience can challenge the conventional polar opposition between a majority "white monoculture" and a marginalized "minorities of color multiculture." This book takes issue with such a dichotomy by showing how experiences of American Jews can undo conventional categories. Neither a complaint against multiculturalism by Jews who feel excluded from it, nor a celebration of multiculturalism as the solution to contemporary Jewish problems, Insider/Outsider explores how the Jews' anomalous status opens up multicultural history in different and interesting directions. The goal of the editors has been to transcend the notion of "comparative victimology" and to show the value of a narrative that does not rely on competing histories of persecution. Readers can discover in these essays arguments that will broaden their understanding of Jewish identity and multicultural theory and will enliven the contemporary debate about American culture generally.   [brief]
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Title: Lives together/worlds apart: mothers and daughters in popular culture 
Author: Walters, Suzanna Danuta
Published: University of California Press,  1992
Subjects: Gender Studies | Popular  Culture | American Studies | Gender Studies | Women's Studies
Publisher's Description: In the 1940s film Now, Voyager, Bette Davis plays a daughter struggling against her mother's stifling repression. Nearly fifty years later, in the Hollywood saga Postcards from the Edge , Shirley MacLaine, as a neglectful and bossy mother, inflicts untold psychological pain on her daughter, played by Meryl Streep. These dramas of conflict and the ambivalent struggle for separation have been central to popular images of mothers and daughters in the last half-century in the U.S. Walters boldly challenges these dichotomies and proposes an innovative and multilayered understanding of the cultural construction of the mother/daughter relationship.In a discussion of popular media ranging from themes of maternal martyrdom to maternal malevolence, Walters shows that since World War II, mainstream culture has generally represented the mother/daughter relationship as one of never-ending conflict and thus promoted an "ideology of separation" as necessary to the daughter's emancipation and maturity. This ideological move is placed in a social context of the anti-woman backlash of the early post-war period and the renewed anti-feminism of the Reagan and Bush years.Walters uses exceptions to mainstream imagery-films such as A Tree Grows in Brooklyn , television shows like "Maude," novels like The Joy Luck Club -to offer evidence of alternative traditions and paradigms. Timely and vividly argued, Lives Together/Worlds Apart makes a brilliant contribution to discussions of popular culture and feminism.   [brief]
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Title: The memory of Tiresias: intertextuality and film 
Author: I︠A︡mpolʹskiĭ, M. B
Published: University of California Press,  1998
Subjects: Cinema and Performance Arts | Literature | Popular  Culture
Publisher's Description: The concept of intertextuality has proven of inestimable value in recent attempts to understand the nature of literature and its relation to other systems of cultural meaning. In The Memory of Tiresias , Mikhail Iamposlki presents the first sustained attempt to develop a theory of cinematic intertextuality.Building on the insights of semiotics and contemporary film theory, Iampolski defines cinema as a chain of transparent, mimetic fragments intermixed with quotations he calls "textual anomalies." These challenge the normalization of meaning and seek to open reading out onto the unlimited field of cultural history, which is understood in texts as a semiotically active extract, already inscribed.Quotations obstruct mimesis and are consequently transformed in the process of semiosis, an operation that Iampolski defines as reading in an aura of enigma. In a series of brilliant analyses of films by D.W. Griffith, Sergei Eisenstein, and Luis Buñuel, he presents different strategies of intertextual reading in their work. His book suggests the continuing centrality of semiotic analysis and is certain to interest film historians and theorists, as well as readers in cultural and literary studies.   [brief]
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Title: Over the edge: remapping the American West 
Author: Matsumoto, Valerie J
Published: University of California Press,  1999
Subjects: American Studies | California and the West | Popular  Culture | History | United States History | Californian and Western History | German Studies
Publisher's Description: From the Gold Rush to rush hour, the history of the American West is fraught with diverse, subversive, and at times downright eccentric elements. This provocative volume challenges traditional readings of western history and literature, and redraws the boundaries of the American West with absorbing essays ranging widely on topics from tourism to immigration, from environmental battles to interethnic relations, and from law to film. Taken together, the essays reassess the contributions of a diverse and multicultural America to the West, as they link western issues to global frontiers.Featuring the latest work by some of the best new writers both inside and outside academia, the original essays in Over the Edge confront the traditional field of western American studies with a series of radical, speculative, and sometimes outrageous challenges. The collection reads the West through Ben-Hur and the films of Mae West; revises the western American literary canon to include the works of African American and Mexican American writers; examines the implications of miscegenation law and American Indian blood quantum requirements; and brings attention to the historical participation of Mexican and Japanese American women, Native American slaves, and Alaskan cannery workers in community life.   [brief]
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Title: Playing with power in movies, television, and video games: from Muppet Babies to Teenage Mutant Ninja Turtles 
Author: Kinder, Marsha
Published: University of California Press,  1991
Subjects: Cinema and Performance Arts | Film | Television and Radio | Popular  Culture
Publisher's Description: How do children today learn to understand stories? Why do they respond so enthusiastically to home video games and to a myth like Teenage Mutant Ninja Turtles? And how are such fads related to multinational media mergers and the "new world order"? In assessing these questions, Marsha Kinder provides . . . [more]
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Title: The private worlds of Marcel Duchamp: desire, liberation, and the self in modern culture 
Author: Seigel, Jerrold
Published: University of California Press,  1997
Subjects: Art | History | Popular  Culture
Publisher's Description: Marcel Duchamp is a founding figure of twentieth-century art and culture, the common source to which many contemporary movements trace their roots. His career has often been celebrated for its contradictions and discontinuities, its disparate parts unified only by their assault on the traditions of art. Jerrold Seigel offers a wholly different view, revealing a web of interrelated themes that unify Duchamp's work and tie it to his life.At the book's center is a reinterpretation of the famous "readymades," of which the urinal "Fountain" and the defaced Mona Lisa were the most shocking. By recovering their history, Seigel shows that their playful and rebellious surface veiled the meanings that linked them to Duchamp's pictures (especially the famous "Large Glass," here illuminated by a comprehensive new reading) and to his experiments with language. The result gives the artist's career the unity of a colorful and intricate puzzle.Behind that puzzle were the great modernist themes of isolation, perpetuated desire, and the imagined dissolution of the self. These themes entered Duchamp's mind both from his social and cultural environment and from the shaping experience of his family; around them were woven the patterns of working and loving that Seigel uncovers in his life. Duchamp emerges not just as a coherent, understandable personality, but as an exemplary one, his very eccentricities reflecting essential dimensions of modern experience.A mythic presence in modern culture, a hero whose story we tell for the sake of its valuable lessons, Duchamp opened the floodgates to a sea of questions about the nature and meaning of art. Seigel demands that we think again about these questions, and about the answers that Duchamp's heirs and followers have tried to give to them.   [brief]
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Title: The promise of the city: space, identity, and politics in contemporary social thought 
Author: Tajbakhsh, Kian 1962-
Published: University of California Press,  2000
Subjects: Urban Studies | Sociology | Popular  Culture | Social Theory | Geography | Politics
Publisher's Description: The Promise of the City proposes a new theoretical framework for the study of cities and urban life. Finding the contemporary urban scene too complex to be captured by radical or conventional approaches, Kian Tajbakhsh offers a threefold, interdisciplinary approach linking agency, space, and structure. First, he says, urban identities cannot be understood through individualistic, communitarian, or class perspectives but rather through the shifting spectrum of cultural, political, and economic influences. Second, the layered, unfinished city spaces we inhabit and within which we create meaning are best represented not by the image of bounded physical spaces but rather by overlapping and shifting boundaries. And third, the macro forces shaping urban society include bureaucratic and governmental interventions not captured by a purely economic paradigm. Tajbakhsh examines these dimensions in the work of three major critical urban theorists of recent decades: Manuel Castells, David Harvey, and Ira Katznelson. He shows why the answers offered by Marxian urban theory to the questions of identity, space, and structure are unsatisfactory and why the perspectives of other intellectual traditions such as poststructuralism, feminism, Habermasian Critical Theory, and pragmatism can help us better understand the challenges facing contemporary cities.   [brief]
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Title: Refried Elvis: the rise of the Mexican counterculture 
Author: Zolov, Eric
Published: University of California Press,  1999
Subjects: History | Latin American History | Popular  Culture | Chicano Studies | Latin American Studies | Contemporary Music
Publisher's Description: This powerful study shows how America's biggest export, rock and roll, became a major influence in Mexican politics, society, and culture. From the arrival of Elvis in Mexico during the 1950s to the emergence of a full-blown counterculture movement by the late 1960s, Eric Zolov uses rock and roll to illuminate Mexican history through these charged decades and into the 1970s. This fascinating narrative traces the rechanneling of youth energies away from political protest in the wake of the 1968 student movement and into counterculture rebellion, known as La Onda (The Wave). Refried Elvis accounts for the events of 1968 and their aftermath by revealing a mounting crisis of patriarchal values, linked both to the experience of modernization during the 1950s and 1960s and to the limits of cultural nationalism as promoted by a one-party state.Through an engrossing analysis of music and film, as well as fanzines, newspapers, government documents, company reports, and numerous interviews, Zolov shows how rock music culture became a volatile commodity force, whose production and consumption strategies were shaped by intellectuals, state agencies, transnational and local capital, musicians, and fans alike. More than a history of Mexican rock and roll, Zolov's study demonstrates the politicized nature of culture under authoritarianism, and offers a nuanced discussion of the effects of cultural imperialism that deepens our understanding of gender relations, social hierarchies, and the very meanings of national identity in a transnational era.   [brief]
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Title: Seducing the French: the dilemma of Americanization 
Author: Kuisel, Richard F
Published: University of California Press,  1993
Subjects: History | European History | Popular  Culture | French Studies
Publisher's Description: When Coca-Cola was introduced in France in the late 1940s, the country's most prestigious newspaper warned that Coke threatened France's cultural landscape. This is one of the examples cited in Richard Kuisel's engaging exploration of France's response to American influence after World War II. In analyzing early French resistance and then the gradual adaptation to all things American that evolved by the mid-1980s, he offers an intriguing study of national identity and the protection of cultural boundaries.The French have historically struggled against Americanization in order to safeguard "Frenchness." What would happen to the French way of life if gaining American prosperity brought vulgar materialism and social conformity? A clash between American consumerism and French civilisation seemed inevitable.Cold War anti-Communism, the Marshall Plan, the Coca-Cola controversy, and de Gaulle's efforts to curb American investment illustrate ways that anti-Americanization was played out. Kuisel also raises issues that extend beyond France, including the economic, social, and cultural effects of the Americanized consumer society that have become a global phenomenon.Kuisel's lively account reaches across French society to include politicians, businessmen, trade unionists, Parisian intelligentsia, and ordinary citizens. The result reveals much about the French - and about Americans. As Euro Disney welcomes travellers to its Parisian fantasyland, and with French recently declared the official language of France (to defend it from the encroachments of English), Kuisel's book is especially relevant.   [brief]
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Title: Visionaries: the Spanish Republic and the reign of Christ 
Author: Christian, William A 1944-
Published: University of California Press,  1996
Subjects: Religion | Christianity | Popular  Culture | Anthropology
Publisher's Description: In June 1931, on a hillside in the Spanish Basque country, two children reported seeing the Virgin Mary. Within weeks, hundreds of seers were attracting tens of thousands of onlookers, and the nightly spectacle gave rise to others in dozens of towns across Spain. Visionaries explores the experience and the larger meaning of this wave.Immersing himself in the lives of the visionaries, William Christian retraced their steps and recreated their world. He spoke with hundreds of witnesses, who led him to caches of vision messages, diaries, clandestine publications, and eloquent photographs. He describes two kinds of visionaries and their relation to each other: the seers who had visions of Mary and the saints, and the believers who had a vision for the future, which they hoped Mary and the saints would confirm. Together, these visionaries attempted to convince a skeptical world that heavenly beings were appearing on the Iberian peninsula. By turns intense, poignant, fierce, and funny, this long-hidden history demonstrates the vital role of the extraordinary in giving voice to a society's hope and anguish.   [brief]
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